Watercolor painting – Pierre Tal Coat, France
4.900,00 €
without declared VAT | Differential taxation according to Ā§ 25a UStG. plus shipping and handling
Watercolor on canvas, museum glass with 99% UV filter, museum cardboard, passe-partout of high quality cardboard, museum quality back wall, highest acid protection, high quality wooden frame which makes the painting shine and work.
Shown is a French city view in autumnal color. In the foreground a pedestrian walkway with a park bench, in the middle ground the city with abstractly outlined houses and a church with a double tower facade. The sky is in blue, violet, yellow & brown with visible painting strokes
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| Designation | |
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| KĆ¼nstler | |
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| Dimensions | – Painting: 21.0 cm x 29.6 cm |
| State | A/B+ |
| Besonderheit |
Information about our condition assessment
A+
The item has no traces of use and is therefore in pristine condition.
This valuation is unusual for antiques and describes an exception rather than the rule.
A
This item has minimal signs of use, such as very fine surface scratches or minimally rubbed gilding.
B+
This item has very few signs of use, such as fine surface scratches, a little rubbed gilding, or a small blemish which is noticeable to a minor degree.
B
This item has few signs of use, such as normal surface scratches, age appropriate rubbed gilding, or a small blemish which is not distractingly noticeable.
C+
This item has normal signs of use, such as normal or deeper surface scratches, a noticeably rubbed gilding, or a blemish which is noticeable.
C
This item has obvious signs of use, such as deeper surface scratches, a heavily rubbed gilding, or a major blemish which is noticeable.
D
This item has very obvious signs of use, such as very deep scratches, heavy wear marks and or damage.
Restored
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Pierre Tal-Coat is considered an important representative of the “Ćcole de Paris” of the post-war period. He was a co-founder of the “Tachism” movement of the mid-1940s, a French version of Abstract Expressionism. Tachism (from French “taches” = stains) favored the spontaneous act of painting over conscious shaping.His art found numerous admirers among other artists, such as AndrĆ© Masson.Tal-Coat wrote books and professional articles on painting.His drawings and lithographs were characterized by a minimalist formal language. Tal-Coat was awarded the French “Grand-Prix National des Arts” in 1968.
Exhibitions
1927 first solo exhibition at the Galerie A. G. Fabre, Paris
1945-1946 Galerie de France, Paris
1954 solo exhibition at the Maeght Gallery
1957 Art Gallery Bern
1960 Musee des Arts Decoratifs, Paris
1963 Galerie Claude Bernard, Paris (1963)
1969 Maisons de la Culture in Le Havre and Amiens
1970, 1972, 1975, and 1979 Gallery Benador, Geneva
1973 Galerie l’Entracte, Lausanne
1974 Musee de Metz
1975 Musee Royal de Parc Veno, Tokyo
1976 Work retrospective at the Grand Palais, Paris
1979 Gallery Karsten Greve, Cologne / Gallery Ditesheim, NeufchĆ¢tel
1983 Patrice Trigano Gallery, Paris
1985 Musee des Beaux-Arts, Quimper
1987 Maison de la Culture, Bourges
1988 Musee des Beaux-Arts, Rennes / Centre National des Lettres, Paris
Pierre Tal-Coat was a participant in documenta 1 in 1955 and also in documenta II in 1959 in Kassel.
Source: Wikipedia
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